“The LoFi Processor is what makes this instrument organic and literally alive. My favorite thing about Pure LoFi is the immediacy and simplicity with which you can interact with all its features: the engines, the carefully selected samples, the filter and the effects can blend naturally, Making the sound design process a joy! I usually create macrogroups in my DAW so as to have a clear picture of the sounds on which I will work. Then, I simply get lost in the sound design process, trying to alternate order and discipline with chaos and instinct. Pure LoFi offers a very wide range of tonal results, while focusing on the lofi world. Working on the ambient oriented presets was truly satisfying for me.”

“I really love the idea that there are 2 main ways to degrade the sound: the modelling of old digital units on the single sound sources and the tape emulation on the master output. The combination of these elements leads to really cool results very quickly. I think the key is to keep the sounds clean and simple on the surface but have ways to add interest dynamically. At the moment I’m quite obsessed with MPE so I’ve tried to use that as much as possible for this purpose. And release velocity is genius! It’s a great tool to add finishing touches to keys and other short sounds.”

“I love the different sampler modes, they can get some really unexpected timbres out of the sound-sources, and it’s a real treat to have an E-MU mode in there, which sounds almost hi-fi. The tape effects are great too, I don’t know what each one is yet, but they all colour the sounds in a lovely way. They are controllable further with the various knobs so you can really fine tune them. Sometimes, it’s having an idea to chase after, but often I just see where the sounds take me. The raw samples are all excellent and once that’s chosen I tend to find a contrasting but similar tone for the second source, and after that it’s a case of finding ways to tie them together to make a playable and cohesive instrument.”

“Pure LoFi's magic lies in the tape processor effects and immediacy of the layout.  Simply load a sound engine, apply a warm filter, tweak the LoFi processor and you've got sounds that transform into melodies before your fingers leave the keys. I focused on harnessing the engine modes, modulation sources, and effects to create patches that breathe with life. By orchestrating subtle shifts in volume, pitch, and timbre, to create sounds that evolve into immersive atmospheres.”

“I find that the strength of this instrument lies in its ease of sound design—if only everything in life were this simple. The samples and oscillators are well-crafted, as we’ve come to expect from Arturia. And finally, the element I’ve been waiting for has arrived: tape machine algorithms that add the perfect touch of grit to the sound—just the way I like it! For this preset series, I let myself be guided by the moment, enjoying the vast sonic variety at our disposal. My goal was to create a diverse set of presets in the spirit of lofi, and as always, I made full use of LFOs to add beautiful filter movement. I hope each preset inspires you and that you make them your own in your productions.”

“Pure LoFi is very straightforward to use, which I appreciate as it minimizes obstacles when using the instrument. The Tape processor section can effortlessly add significant character to your setup, resulting in a very warm sound. I find the concept of the creative sampler in random mode particularly appealing, as it allows for the creation of distinctive and expressive patches. Sometimes I start with a general type of sound in mind and outline its main characteristics, like envelope and range, then I get inspired by playing with the different oscillators. Other times, when working on a patch, I find a particularly interesting parameter that alters the sound, and I completely deviate from the original idea—happy accidents. Personally, I almost never start with super specific ideas.”

“Personality and character are everything in sound design, and Pure LoFi delivers both effortlessly. It gives me the signature flaws of vintage gear I grew up with—now reimagined as texture, flavor, and vibe. It instantly takes me back to a time of discovery and wonder, reminding me how far we’ve come—and how much there still is to explore. Having a tape-style saturation processor as part of the synthesis path is truly unique—it adds colors and textures that feel alive. I spent hours exploring its modes, uncovering hidden harmonics and flavors, especially when combined with the stunning acoustic sources. The lofi filter is the cherry on top. Even the most broken sounds remain musical and inspiring.”

“I mostly enjoy making quite lofi, dusty, melancholic tape-loop type sounds, “in search of imperfection” as I put it in my bio. When I first played the instrument my feedback was “I think you made an instrument specifically for me :) “. It’s a cohesive set of components; from sound generation to filters, modulation and fx which are just perfectly suited to making the kinds of sounds I love to Make. Because of the design and goal of the instrument the approach was obviously an exploration of lofi sounds, from classic to modern. For factory presets I try to build a range of sounds to show the scope of the instrument and what can be done with it and to produce a set of patches that relate to each other and would work together in a musical context.”